For the new proxy workflow with FCPX 10.4.9 and Final Cut Pro 10.5 see my new blog post Update: This proxy workflow applies to Final Cut Pro 10.4.8 and earlier. Note: I want to explain how our current workflow for editing remotely. I am always testing new tools and methods, so workflows change all the time. This is a snapshot in time of what we are trying now. We use Hedge to copy camera cards to multiple drives on set (or after a shoot if on location) and then we use Hedge once more to copy one of these drives to the office shared storage (Apple’s Xsan). Why use Hedge? A nice simple app which hides its complexity well. Hedge has an easy interface to copy multiple sources (camera cards, usually) to multiple destinations (two external drives, or two SAN locations etc), and it does it well. It verifies, and double checks its work and leaves receipts. This is very nice and very useful for troubleshooting. It also has an API which made it easy to build an app that configures Hedge for its current task, and AppleScript support for extending automations after specified actions. We are using two other tools in our remote ingest workflow currently: Kyno from Lesspain software for rewrapping and converting camera footage and Postlab, the remote collaboration tool for Final Cut Pro (and Premiere Pro). Testing with other tools is always ongoing and during a recent test of the workflow we also tried EditReady from Divergent Media. If you’re new to EditReady, you can download a trial version here and then decide to purchase a Single License for $79.įor more information about this release, please visit Hedge’s blog here.ĭo you already use EditReady for transcoding? What do you think of this 22.Making re-wrapped in MOV files from the original camera MXF files using Kyno and then.Hedge to copy camera cards two external drives on set, and then Hedge copy the drive to Xsan.While we are exploring various workflow automations we are currently doing the following steps manually. The update is free for all existing users who renewed their license or have purchased a new one within the past 12 months. This improvement also applies to BRAW files shot on the Leica SL2-S, which recently gained the ability to output 12-bit RAW data over HDMI. Image credit: Leicaįinally, Hedge claims that transcoding of Blackmagic RAW files is now faster with EditReady 22.3. EditReady exploits the math behind it to properly convert ARRIRAW files from the ALEXA 35 into an edit-friendly codec of your choice. This includes a new gamma curve (LogC4) and wide-gamut color space (AWG4). Along with the camera, ARRI introduced the new REVEAL color science. Freshly released at the end of May, the company’s new flagship Super 35 mm cinema camera features a completely redesigned 4.6K sensor with an astonishing claimed dynamic range of 17 stops. The biggest change in this release is the introduction of additional batch options for processing. This release adds a number of features to streamline proxy media workflows. It supports a lot of video sites and they can be surfed anonymously with full video streaming support. Moreover, the 22.3 update welcomes the new ARRI ALEXA 35 to the list of supported cameras. EditReady 1.3 is a major update, which adds a number of exciting features and improves performance. CroxyProxy is reliable and free web proxy service that protects your privacy. According to Hedge, the software makes use of Canon’s own color science to provide an accurate conversion. This enables better handling of the footage during the editing process. EditReady users can now transcode this RAW data into a mezzanine file format, such as ProRes. This can be found on a vast range of Canon products, going from high-end cinema models (such as the C500 Mark II, C300 Mark III, and C200) to the 8K-capable EOS R5 C mirrorless camera. The new EditReady 22.3 introduces support for Canon’s own compressed file format, called Canon Cinema RAW Light. Image credit: ARRI EditReady 22.3: now supporting Canon Cinema RAW Light and ALEXA 35 Indeed, it embraces the popular Canon Cinema RAW Light format as well as the long-awaited ARRI ALEXA 35. The latest version of the software further expands the list of supported file types. Now, the company is introducing EditReady 22.3. Just a few months ago, EditReady 22.2 brought support for Sony Uncompressed RAW and X-OCN formats, along with the new Color Conversion panel. It allows users to convert original footage from a variety of different camera models into more manageable, edit-friendly files. The update is available now and is free for all existing users.ĮditReady is an increasingly popular transcoding solution developed by Hedge. Hedge has recently released EditReady 22.3 with added support for Canon’s compressed RAW format and ARRI’s flagship Super 35 mm camera, the ALEXA 35. keyboard_arrow_rightCameras of the Year.keyboard_arrow_rightGear Guides by Type.keyboard_arrow_rightGear Guides by Budget.
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